Wines with Age

wines

All elegance and fine texture. Beautiful aromas of milk chocolate and ripe berries. Full- to medium-bodied, with silky tannins and a sweet fruit, chocolate aftertaste. Hard to resist now.--1989 Bordeaux horizontal. Best after 2000.Wine Spectator | 90 WS

(Château Le Pin, Pomerol, Red)

The velvety texture is clear even on the nose, with truffle and chocolate shavings giving a mouthwatering opener. This is a lighter-framed Petrus than the 1998 but still one that pulses with intensity and complexity of expression. The tannins are finely boned, gently laid out to cushion the olive paste, plum and blackberry fruit, and it shows no sign of slowing down at 21 years old. Jean-Claude Berrouet remembers that the vintage needed more vigilance in the cellar than the 1998, with the need to resist over-extraction that would artificially fill in any gaps, and the result is a balanced and lyrical wine. A vintage that shows the virtue of clay, and the virtue of Pomerol, in that its wines ripened earlier and were therefore not affected when the weather turned rainy later in September (harvest here was September 15, 16, 17 after what had been an early-ripening year overall). 50% new oak. Drinking Window 2020 - 2030.Decanter | 95 DECThis wine is turning out much in the style of such wonderful Petrus vintages as 1967 and 1971. Although not as outstanding as either the 1998 or 2000, it displays beautiful intensity and finesse in a more evolved style than one normally expects from this estate. The wine has a dense, nearly opaque ruby/purple color, sweet black cherry, mulberry, truffle-infused fruit, full body, low acidity, admirable purity, and sweet tannin. It should be ready to drink in 5-6 years, and will last for two decades. Anticipated maturity: 2007-2030. Only 2,400 cases were produced.Robert Parker | 94 RPThe 1999 Petrus was made by Jean-Claude Berrouet (his son Olivier was training at Haut-Brion at the time) and harvest was in early September. This has the best aromatics of any Pomerol that I have tasted alongside Lafleur, featuring lovely red berry fruit and black truffle, almost Burgundian in style and beautifully defined. The palate is medium-bodied with plenty of freshness and definition, touches of black truffle and sage infusing the red fruit. Perhaps the limitations of the growing season impinge upon the finish, which feels a little conservative in style, but this still ranks among the better Pomerols of the vintage. “Fine and delicate,” Oliver Berrouet remarked during the tasting, and I concur. Tasted from an ex-château bottle at the estate.Vinous Media | 92 VMA pretty, fruity red with beautiful tobacco, berry and cedar. Medium-bodied, with good soft tannins and a pretty finish.--Pétrus non-blind vertical. Drink now. 2,080 cases made.Wine Spectator | 90 WS

This is a slight downgrade for this wine, but I suspect it will bounce back, as it clearly needs more time. It was more reserved than I thought it would be, as Le Pin tends to be one of the more extravagantly rich, flamboyant wines of Pomerol. The one time I tasted the 2000, it had a dense ruby/purple color, aggressive new oak, loads of coconut, vanilla, and spice box, enormous concentration and thickness, but this is an estate where I thought their subsequent year, 2001, was an even better wine. This wine displays some firm tannins in the finish and should be forgotten for another 5-6 years. So much for Le Pin not aging well. This one has at least 25 years left in it.Robert Parker | 96 RPDistinctive, with a flash of menthol giving way to a beam of lightly mulled raspberry fruit that carries on through the finish, easily holding sway over the hints of bramble, licorice snap and warm plum compote. Just a touch sedate in feel, perhaps, but if you were a wine with this kind of fruit to burn, wouldn’t you just kick back and let it groove too?—Blind 2000 Bordeaux retrospective (December 2015). Drink now through 2030. 500 cases made.Wine Spectator | 96 WSThe 2000 Le Pin is a vintage that I have not tasted for a decade or so. It has an exotic bouquet of vivacious red fruit, kirsch, black truffle, rose petals and orange blossoms. It just feels a little smudged against the 2001. The medium-bodied palate delivers sweet, ripe tannins, fleshy, orange-peel-infused red fruit, a little balsamic and touches of hoisin. The vibrant finish is reminiscent of the legendary 1982 or perhaps the 1989.Vinous Media | 93 VM

2001 was a vintage that very much suited Pomerol, and the Merlot here takes precedence over the Cabernet Franc, expanding sideways, juicy and smiling. This is a show stopper of a wine, from the very first moment that you pour it. Concentrated and powerful, it gathers pace through the palate with flavours of truffle, cinnamon, toasted almonds, rich plum and damson. The texture is of cashmere and silk, the fruit palate varied and balanced. You can open it now, but there’s no rush, even at close to 18 years on. Drinking Window 2018 - 2035.Decanter | 100 DECThis wine possess great beauty, it is almost Burgundian with its soft tannins and sweet fruit. Pure class and finesse in this, it is round and thick, long and very yummy. No need to wait on this, pull the cork. This vintage had more Merlot than the 2000 and you can tell. A subtle wine.James Suckling | 96 JSNo written review provided. | 95 W&SThe 2001 Vieux Château Certan is one of Alexandre Thienpont’s favorite vintages, and it is easy to see why. It has a classy bouquet, brambly red fruit, quite luscious in style and aromatics that are determined to seduce. The palate is medium-bodied with a firm backbone that will guarantee this as a long-term Pomerol. There is wonderful tension from start to finish, less sinewy than the 2000, more agile and one could say, "athletic". It is a wonderful wine that is now nipping at the heels of the previous vintage. Tasted from a bottle taken from my own cellar bought on release.Vinous Media | 94 VMA brilliant effort from Alexandre Thienpont, this blend of 70% Merlot and 30% Cabernet Franc is a deep purple-colored, fleshy, layered effort offering a sweet nose of creosote, incense, Christmas spices, plenty of red and black fruits, and hints of licorice as well as new oak. Rich, medium to full-bodied, with tremendous purity in addition to nobility, give it two more years of cellaring and drink it over the next following 15-18 years.Robert Parker | 93 RPThis is grippy and earthy at first, with tobacco, warm stone, mulled currant and fig fruit notes. Settles down with time in the glass, showing more polish and a pretty violet detail through the finish.—Blind ’01/’03/’05 Bordeaux retrospective (December 2017). Drink now through 2027. 4,000 cases made.Wine Spectator | 92 WS

Gorgeous subtle aromas of crushed raspberries and light vanilla, with hints of spices. Medium- to full-bodied, with wonderfully seductive, silky tannins. Beautiful slinky finish. Pétrus is very fine indeed in this vintage. Not overdone, all in the right place. Best after 2009. 1,665 cases made.Wine Spectator | 93 WSThe 2002 Petrus is poured from magnum but even the larger format does not quite elevate what is essentially a rather ordinary Pomerol, at least by this cru’s standards. It has a pleasant, well-defined nose that is just missing the complexity and “je ne sais quoi” of other vintages. The palate is balanced with plenty of dusky red fruit laced with cedar and tobacco, just a little tapering towards the finish with modest length. It is a perfectly decent Petrus, although it just leaves you wanting more. Tasted at the Petrus dinner at the Épure restaurant in Hong Kong.Vinous Media | 91 VMA relatively strong effort for this vintage, but hardly one of the profound examples of Petrus, this wine exhibits a dark plum color and a somewhat monolithic, foursquare personality with notes of plums, black cherries, licorice, and some herbs and damp earth. Medium-bodied, muscular, and tannic, but lacking some charm and sweetness, it should age nicely for 12-15 more years and possibly be even better than my score. Readers who buy it should not even attempt opening a bottle for at least 4-5 years.Robert Parker | 90 RP

Extraordinary nose of berry, chocolate and flowers. Amazing, jaw-dropping quality. Full-bodied, with supersilky, seductive tannins and a finish that lasts for minutes. Out of this world. Best after 2014. 2,000 cases made.Wine Spectator | 98 WSOne of the great successes of 2003, and a surprise given the problems with Merlot in Pomerol. This is a powerfully huge wine, but its fruit is so rich, so superb that the tannins have just become part of a complete whole.Wine Enthusiast | 96 WEAn early September harvest in this hot year produced a 2003 that has reached full maturity. It offers notes of roasted coffee, melted chocolate, figs and black cherry jam. There are some rustic tannins in the finish, but this expansive, rich Petrus displays far more intensity and complexity than most expected given the difficulties in Pomerol in 2003. It should be consumed over the next 4-6 years.Robert Parker | 93 RPThe 2003 Petrus was born in a difficult vintage for Pomerol, although its blue clay a.k.a “smectite” soils probably gave Christian Moueix and Jean-Claude Berrouet a slight advantage given its propensity to retain moisture and prevent hydric stress. That said, I would not mark it down as a top tier Petrus. After a timid opening it settles down with attractive mulberry, wild strawberry and clove scents, quite rich but not overpowering. I would argue that it is not as detailed as other vintages. The palate is very well balanced and surprisingly well defined considering the heat of that summer. Rich and opulent for Petrus (maybe the most opulent that Jean-Claude Berrouet ever made) and yet it retains a sense of symmetry and freshness on the finish that I think is unique to this Pomerol. Who says there is no such thing as terroir? Tasted in London with a Bordeaux merchant.Vinous Media | 92 VM

Fantastic aromas of black licorice and sweet tobacco change to raspberries and follow through to a full-bodied palate, with lovely silky tannins and a long, caressing finish. Multilayered. A beauty. Best after 2008. 3,330 cases made.Wine Spectator | 92 WSSmoky, earthy, sweet red and black currant, fig, and menthol notes jump from the glass of this dark ruby/plum-hued, medium-weight Cheval Blanc. Possessing sweet tannin, medium body, and undeniable elegance as well as nobility, this beautifully made effort appears slightly superior (at least to my taste) to the more hyped 2003. Interestingly, yields were 27 hectoliters per hectare in 2002, and 30-31 hectoliters per hectare in 2003. Anticipated maturity: 2008-2018.Robert Parker | 90 RP

(Château Ausone) The 1985 vintage of Château Ausone was not particularly touted when it was released, but this is a great wine that should ultimately prove to be one of the greatest Ausones of the decade of the 1980s. The bouquet is deep, pure and youthfully exotic, as it soars from the glass in a very vibrant blend of baked cherries, blood orange, menthol, woodsmoke, glorious soil tones, a touch of dill and a potpourri of other more classic fresh herb tones. On the palate the wine is deep, full-bodied, complex and very intensely flavored, with a sappy core of fruit, great soil inflection, ripe, well-integrated tannins and superb length and grip on the tangy finish. A classic Ausone in the making, I would not touch the ’85 for another decade, despite the fact that it is already quite accessible. There are just too many layers of complexity still to unfold here to be opening bottles right now! (Drink between 2020-2070).John Gilman | 94 JGPure fruit aromas of raspberry and strawberry; full-bodied with fine tannins.Wine Spectator | 92 WS

Saturated ruby-red. Brilliant nose features kirsch, dark berries, and iron scents, with an overlay of perfumed, spicy oak. Lush, sweet and fragrant in the mouth, with a sappy freshness; clearly made from low yields. Finishes with toothcoating but suave tannins and remarkable persistence; stains the palate with spicy bitter cherry and citric skin flavor. As with the ’94, clearly the best wine in the Moueix portfolio on this day.Vinous Media | 93-96 VMAfter several uninspiring efforts between 1978 and 1988, it is irrefutable that Christian Moueix and his flagship estate, Petrus, have rebounded with a vengeance, producing a bevy of extraordinary wines, even in rain-plagued vintages such as 1992 and 1993. Opaque purple/black in color, with a sweet vanilla, pain grillee, jammy cherry and cassis-scented nose, this full-bodied, densely packed wine reveals layers of flavor, and an inner-core of sweetness with huge quantities of glycerin and depth. A tannic, classic style of Petrus, with immense body, great purity, and a backward finish, this wine requires a decade of cellaring. Anticipated maturity: 2006-2035.Robert Parker | 93 RPWonderfully rich and concentrated, with milk chocolate, berry and floral aromas, loads of fruit flavors and soft, round tannins. Full-bodied and has good length. A great wine for the vintage, but then, what do you expect from Pétrus? Better from 1999 on, but inviting now. 3,200 cases made.Wine Spectator | 93 WS

Good dark red-ruby. Port-like aromas of black cherry, black raspberry, damp earth and shoe polish. Ripe, lush and large-scaled on the palate; sweet black fruit flavors really fill the mouth. The tannin level is rather high, but there also strong, bright finishing fruit and notes of smoke and earth.Vinous Media | 88-91 VM

A terrific sleeper value, Stephan von Neipperg’s 2001 Clos de l’Oratoire boasts a deep blue/purple color as well as a rich nose of melted licorice, espresso roast, black currants, minerals, smoke, and earth. This opulent, medium-bodied St.-Emilion exhibits abundant quantities of fruit and glycerin along with a fleshy, ripe, expansive finish with no hard edges. Some tannin lurks beneath the surface, but this is a beautiful wine to drink now and over the next 10-12 years.Robert Parker | 90 RP

Good deep ruby. Complex, sauvage aromas of black raspberry, smoked meat and leather. Soft, sweet and expressive; shows a considerably stronger animal aspect than either Canon La Gaffeliere or Mondotte, Stephan von Neipperg other St. Emilion wines. Quite suave and fresh for the year. Finishes long and ripely tannic. Half of this wine was fermented in wood cuves, which von Neipperg feels has resulted in a more successful integration of the tannins.Vinous Media | 89-90 VM

(Château Ausone) The 1990 vintage of Château Ausone is a stunning wine. There is a purity and soil signature front and center here that is not always evident in wines from this torrid vintage on the Gironde, and Ausone’s signature elegance is now very much this wine’s calling card. The beautiful bouquet wafts from the glass in a blend of red and black cherries, nutskin, cigar wrapper, chalky soil tones, a touch of blood orange and a lovely, floral topnote. On the palate the wine is pure, full-bodied and deep at the core, with superb transparency and grip, modest tannins and a very long, complex and vibrant finish. At age twenty-nine, the 1990 Ausone is just starting to blossom and drink with generosity and refinement, but the more exotic topnotes here have not yet fully emerged and there is even more magic to come for those who can defer gratification for another ten years! (Drink between 2019-2060)John Gilman | 96 JGChewy, monolithic wine. Aromas of dried herbs and berries. Full-bodied, with velvety tannins and a tar, tobacco aftertaste. Puckers your mouth with tannins. Will improve with age.--1990 Bordeaux retrospective. Best after 2005. 2,150 cases made. —Wine Spectator | 92 WSAfter revealing some amber at the edge as well as copious aromas of fruitcake, crushed rocks, incense, and a weedy character, the 1990 Ausone offers up sweet, jammy fruit notes as well as a firm finish with the tell-tale crushed rock minerality that this estate often achieves. The aromatics suggest a fully mature wine, but in the mouth, the firm structure and density indicate this effort needs more time. This wine gives off mixed signals, and I suspect it will last much longer than it appears, but only time will tell. There is a lot to like here, but the 1990 is not one of the most profound Ausones, such as those made since 1998. Owners should try a bottle and make up their own minds, but I think it has another 10- to 15-year window of maximum pleasure.Robert Parker | 91 RPThe 1990 Ausone is a vintage that I have tasted half a dozen times, waxing lyrical when I first tasted it way back in 2000, but then my sentiments cooling off with each encounter. It has an exotic bouquet that articulates the growing season more than the terroir – camphor and eucalyptus, quite heady and showy (some might say vulgar but that would be too pejorative.) There is a smear of chocolate on the entry, moderate acidity, fleshy and ripe but missing the complexity of its peers, espresso and dried blood tincturing the fruit on the finish. It is a pleasurable Saint-Émilion rather than a great Ausone. Tasted at the Ausone vertical in London.Vinous Media | 90 VM

The 2001 Canon-la-Gaffelière has a fresh nose of raspberry and wild strawberry fruit, cigar humidor, fireside hearth and light minty aromas. The palate is medium-bodied with supple tannins and fine acidity, fresh and vibrant, and harmonious toward the finish, offering finer tannins than the 2000. This has aged beautifully and will continue to give pleasure. Cropped at 21hl/ha and aged in 85% new oak for 18 months.Vinous Media | 93 VMSilky and charming, with perfumed juniper and tobacco details weaving around gently mulled cassis and black cherry flavors. The tobacco element blossoms through the finish, where some secondary notes emerge, but overall this stays very fresh.—Blind ’01/’03/’05 Bordeaux retrospective (December 2017). Drink now through 2025. 4,275 cases made.Wine Spectator | 93 WSMade in a structured, tannic, restrained style (representative of the vintage’s overall personality), this medium to full-bodied 2001 exhibits scents of espresso roast, cedar, chocolate, black currants, and cherries. With sweet but noticeable tannin, exceptional multilayered flavors, and excellent texture, elegance as well as purity, it will be at its finest between 2005-2013.Robert Parker | 92 RP

Rich and full, this modern-styled, beautifully made, majestic, rich, multidimensional St.-Emilion boasts a dark plum/purple color. All the oak has been absorbed, but, surprisingly, there is not a lot of difference between this wine and the regular cuvee of Fombrauge. Nevertheless, this is fuller and richer with plenty of life remaining. Enjoy it over the next decade.Robert Parker | 93 RPAromas of blackberry, chocolate and flowers follow through to a full-bodied palate, with very soft tannins and a long, sweet fruit finish. Delicious already. Napa in St.-Emilion. Best after 2007. 415 cases made. Wine Spectator | 92 WS

I’ve always had a soft spot for the 1981 vintage as well as these two châteaux. This was the first vintage of Bordeaux that I bought, back in 1984, with some knowledge of the region (or so I thought at the time) and Cos because the first serious vertical that I ever attended was of their wines from 1982 back to 1952. Pavie? Well, to be honest, it was the label that drew me in at first, being all old-timey Bordeaux and all. The first Pavie that I bought was a 1979 from a wine shop in Boston and from the get-go I was hooked on the blend of power and finesse that a St.-Emilion from a great terroir can exhibit. Being able to visit both of these estates in late June of 1989, on the same broiling hot day, sealed the deal.Ninteen eight-one is what some would derisively call a ‘classic’ or ‘restaurant’ vintage. In the old days some would say ‘a useful vintage’ for the fact that the wines are mostly to be drunk while waiting for “great” vintages to mature or to keep ones’ hands off of already mature ‘great’ vintages resting in the cellar. That belittles wines such as these two, I think, because more times than not I crave a graceful, finely delineated and less dramatic wine than one from a blockbuster vintage. Both of these bottles deliver the goods.Purchased by a good friend on release here in New York, both the Cos and the Pavie are decidedly at peak but based on these bottles there’s no need to fear the reaper. The Cos is a textbook rendition of the old style at the châteaux, with intense cigar box, dried cherry, licorice and pipe tobacco character and smooth, harmonious tannins that have all but faded away. As might be expected, the Pavie is more dramatic in character, but still showing the restraint that’s been typical of the ‘81s since release, offering a haunting, floral- and spice-dominated bouquet and plush, seamless plum and cherry flavors. Like the Cos, it’s fully mature but there’s no sign of undue fatigue, either. In both cases, pretty remarkable for 34 year-old wines from a vintage that’s now been mostly forgotten, but not by me.Vinous Media | 91 VM

I have never tasted such an impressive Clos Fourtet. I had it on three different occasions, and it was consistently brilliant. The stunning black/purple color is accompanied by aromas of sweet blueberry/blackcurrant fruit interwoven with wet steel/mineral-like scents, and subtle oak. Hugely concentrated, yet only medium-bodied, this dense, thick, gorgeously pure, well-balanced wine is the finest Clos Fourtet made in the last 3-4 decades. Although there is plenty of tannin, it is sweet as well as beautifully integrated, so I suspect this wine will evolve more rapidly than many wines of this vintage. Anticipated maturity: 2003-2020.Robert Parker | 90-92 RP

Even better, the 2001 Château Barde-Haut offers a full-bodied, beautifully textured style on the palate as well as incredibly complex notes of blackcurrants, chocolate, tobacco, and Asian spices. With resolved tannins, a great mid-palate, and a concentrated, rich, powerful style, it’s another 2001 that’s drinking brilliantly today. As with the 2000, it’s drinking at point yet is going to evolve nicely over the coming decade.Jeb Dunnuck | 95 JDThe 2001 Barde Haut has an open-knit nose of black plum and crushed strawberry; subtle, almost gamy aromas develop in the glass. The palate is medium-bodied with a pliant texture and fine acidity, fleshier than some Right Bank wines but nicely balanced. While not a complex Saint-Émilion, it has bags of charm and feels carefree and malleable. A 20-year-old that is now à point.Vinous Media | 90 VMBeautiful red with soft, silky tannins and delicious berry, cherry, vanilla and light tobacco character. Full-bodied, with a caressing texture and a long finish. I like this better than the 2000. Best after 2006. 3,080 cases made. —Wine Spectator | 90 WS

The 1995 Petrus is one of the finest vintages of the decade, a silver medal behind the brilliant 1998. This bottle might well constitute the best that I have encountered. It has a beautiful, focused nose with hints of game and humidor infusing the black fruit. With aeration more red fruit becomes evident, allied with a touch of roasted chestnut. The palate is supremely well balanced, slightly gamey and with impressive grip. There is a bit of chutzpah about this Petrus, the way in which it fans out towards the finish. You could broach bottles now, although this example suggests that it is going to be very interesting to follow over the next 20 years. Tasted at the Petrus dinner at Hide restaurant in London.Vinous Media | 97 VMThis is like a genie in the bottle. Fascinating yet subtle aromas of blackberry, minerals, fresh flowers and Spanish cedar. Full-bodied, with wonderful layers of ultrafine tannins. It coats your mouth and tantalizes your palate. A gorgeous thing all around.--’95/’96 Bordeaux retrospective. Best after 2010. 3,200 cases made.Wine Spectator | 97 WSIt is interesting how this wine continues to evolve. Unquestionably one of the vintage’s superstars, the 1995 Petrus is taking on a personality similar to the extraordinarily backward, muscular 1975. This is not a Petrus that can be approached in its youth (i.e., the perfect duo of 1989 and 1990). The wine exhibits an opaque ruby/purple color, followed by a knock-out nose of pain grille, jammy black fruits, and roasted coffee. On the palate, it possesses teeth-staining extract levels, massive body, and rich, sweet black fruits buttressed by powerful, noticeable tannin. A formidably endowed wine with layers of extract, this is a huge, tannic, monstrous-sized Petrus that will require a minimum of 10 years of cellaring. Forget all the nonsense about Merlot producing sweet, soft, ready to drink wines, because low yielding, old Merlot vines made in the way of Petrus and other top Pomerols frequently possess as much aging potential as any great Cabernet Sauvignon-based wine in the world. Look for the 1995 Petrus to last for 50+ years. Anticipated maturity: 2007-2050.Petrus, the undisputed King of Pomerol, was an inconsistent performer between 1976 and 1988, but since 1989 there have been few Bordeaux wines that match this property for its extraordinary combination of power, richness, complexity, and elegance. The 1995 and 1996 are both noteworthy efforts.Robert Parker | 96 RP

One of the wines of the tasting, this has standout quality and is certainly impressive in terms of (relative) value, holding its own next to Figeac and Cheval Blanc. The 17 days over 38°C in August meant the limestone soils were key, as in 1989. It’s a beautiful wine, luscious, juicy and rich in black fruits, and still young. The Lurtons owned Clos Fourtet until 1998, when it went to the Cuveliers, so this was Pierre Lurton’s last vintage as director - and this means he had a hand in two wines in this line up, which must be pretty unusual! Harvest took place from 28 September to 4 October. Aged in 90% new oak.Decanter | 97 DECGorgeous violet, mineral, tobacco and berry character. Full-bodied, with extremely well-integrated tannins, a very silky mouthfeel and a long finish. Best after 2007. 5,250 cases made.Wine Spectator | 92 WSA strong effort from Clos Fourtet, the dark ruby/purple-colored 1998 offers pure blackberry and cherry aromas with subtle wood and licorice in the background. Medium-bodied, exceptionally pure, with low acidity as well as silky tannin, this sexy offering is ideal for drinking now and over the next 14-15 years.Robert Parker | 90 RP