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(Château Mouton-Rothschild) This was the last vintage to be made by the Baron de Rothschild, and I have always had a sneaky suspicion that the 1987 may have been made a bit more memorable by the inclusion of some of the 1986 or 1988 bookends that may have been laying around, as the wine utterly transcends the vintage in terms of depth and power. Regardless of how the quality of the wine was ultimately arrived at, it is the finest 1987 Medoc that I have ever tasted, jumping from the glass in a blend of red berries, spices, coffee, eucalyptus, a touch of walnuts and the traditional Mouton nicely toasted new oak. On the palate the wine is medium-full, complex and à point, with excellent focus and fine length on the shapely finish. This is a lovely, commemorative bottling that still has plenty of life ahead of it. (Drink between 2003-2012)John Gilman | 91 JGOctober 2002 at a mad Swiss collector’s house at 10am. Light brick core. Tawny rim. Delicate leaf/minty nose. Quite earthy and mature on palate. Well-balanced, better than Lafite. Moderate concentration but quite austere and classic. Drink soon. Tasted amongst in a collectors gnome garden in Switzerland at 10am! Tasted again at the SuperBOWL and making perfect sense with a leg of lamb. A slightly diffuse, tobacco scented nose followed by a palate of moderate concentration with cedar and tobacco. Quite a soft texture but with vibrant acidity. A gentleman’s claret. Robert Parker Wine Advocate | 88-90 RP-NM

A time of serious changes at Mouton, with Baron Philippe de Rothschild passing away in 1988 after having overseen seven decades worth of harvests, and his longtime winemaker Raoul Blondin retiring in 1989. It was also three years before the introduction of Petit Mouton under Baroness Philippine (even Aile d’Argent the white wine didn’t arrive until 1991). Does all of this explain why the 1990 has suffered with its reputation from the beginning? Certainly it is far more mature at this 31-year-checkin than the others in the tasting, with strawberry and raspberry notes rather than the darker fruits that you more usually find in great Pauillac, with clear tertiary notes of tobacco, rust and woodsmoke. I had a better bottle of this in December 2020, and also in October 2018, so do expect bottle variation and you just might get lucky, but this was not the wine of the night. Label artist Francis Bacon, with one of his last works. Harvest 18 September to 3 October. Drinking Window 2021 - 2030.Decanter | 91 DECNotorious for not living up to the estate’s nor the vintage’s reputations, I have to say this 1990 Mouton Rothschild was not looking nearly as bad as I was expecting. This was a hot, dry vintage, which can be a challenge for vines on such free-draining soils as the deep gravel-mounds composing the backbone of Mouton’s vineyards. The effect of the struggling vines is apparent in the wine, yielding less density and chewier tannins. Nonetheless, the terroir’s pedigree clearly glimmers in the background.The wine displays a brick color with subtle, compellingly elegant redcurrant jelly, dried cranberries and powdered cinnamon notes plus wafts of potpourri, dried figs, unsmoked cigars and dusty soil. Medium-bodied, it is notably far more delicately fruited than one would expect of Mouton, structured with bold freshness and a light chew of tannins before finishing on a mineral note. Indeed, it is skinny compared to great vintages, but it is aging gracefully. For readers who love those soft-spoken, more delicately expressed styles, this one’s for you!Robert Parker Wine Advocate | 90 RPA less-than-extraordinary Mouton with licorice and sandalwood on the nose. But this is still lovely and easy to drink. Medium body, good fruit and soft tannins.James Suckling | 90 JS

This is still youthful in appearance with dark ruby color. It sets an excellent example for the 1994 vintage with a spicy, toasty nose showing lots of black currants and tar. It’s full-bodied, refined and chewy. Drink or hold.James Suckling | 91 JSAfter less than persuasive performances in two potentially great years, 1989 and 1990, Mouton-Rothschild appears to have settled down, producing fine efforts in recent vintages, culminating with the enormously promising, unquestionably profound 1995. The 1994 appears to be the finest Mouton-Rothschild made following the 1986 and before the 1995’s conception. The wine exhibits a dense, saturated purple color, followed by a classic Mouton nose of sweet black fruits intermingled with smoke, pain grillee, spice, and cedar. Medium to full-bodied, with outstanding concentration, a layered feel, plenty of tannin, and rich, concentrated fruit, this wine is similar to the fine 1988. Anticipated maturity: 2005-2025. By the way, the Dutch artist, Appel, has created a gorgeous label for the 1994. Although Mouton-Rothschild can be among the most inconsistent first-growths, when this estate gets everything right, the wine can be as compelling as any produced in Bordeaux.Robert Parker | 91 RPDark-colored, with intense aromas of blackberries, tar and spice, and toasted oak notes as well. Full-bodied, with very silky tannins and a chewy, ripe fruit-accented finish. An impressive Mouton. Better in 1999.Wine Spectator | 91 WS1994 Mouton Rothschild: Sexy smoky, gingery oak, along with a hint of herbaceousness. Fruity and vinous, with good inner-mouth perfume, but the level of extract seems rather low for this wine. Finishes with slightly harsh tannins and some caramel oak. Lacks real precision and class. Not a strong performance for Mouton.Vinous Media | 88-90 VMThe great Michael Broadbent MW noted ’this is what my friends from across the pond would describe as a proper, classic luncheon claret’. Elegant and lighter on the palate, the fruit character here is more subdued with a cool, leafy edge. Toasty wood and spice notes in evidence but the acidity is more dominant than with the other vintages. Feels just a bit stringy and lean. At its best. Harvested 19 September to 1 October. 80% Cabernet Sauvignon, 8% Cabernet Franc, 10% Merlot, 2% Petit Verdot. (Drink between 2021-2021)Decanter | 90 DEC

Beginning to open magnificently, the still dense purple-colored 2000 reveals a blossoming bouquet of blackberries, cassis, graphite and pen ink. Full-bodied with velvety tannins that have resolved themselves beautifully over the last eleven years, this wine is still an adolescent, but it exhibits admirable purity, texture, mouthfeel and power combined with elegance. One of the all-time great examples of Lynch Bages, the 2000 is just beginning to drink well yet promises to last for another 20-25+ years.Robert Parker | 97 RPThis has a dense but well-defined core of currant and fig paste flavors supported by a gorgeous graphite spine. Long and authoritative, with notes of bay, pepper, leather and juniper slowly emerging on the finish. Terrific structure and integration give this a chiseled feel. No rush here.--Blind 2000 Bordeaux retrospective (December 2015). Drink now through 2033.Wine Spectator | 96 WSFinally rounding the corner, the 2000 Château Lynch-Bages is mature, with classic Pauillac darker currants, lead pencil, tobacco leaf, and spice-laced aromatics. With a deep plum color and slight lightening at the edges, it’s medium to full-bodied and has a layered texture as well as integrated tannins. A classic, elegant, yet still powerful Lynch-Bages, it delivers plenty of sweet fruit and a great finish. It benefits from an hour of air and will certainly hold at this stage for another 10-15 years with no issues.Jeb Dunnuck | 95 JDAnother wonderful 2000 coming out of its long sleep. Beautiful aromas of berry, tobacco, herb and spice that follow through to a full palate with round, textured tannins and lots of fruit.James Suckling | 95 JSTypical of Lynch-Bages in its sumptuous rich style, this is a resounding success for the team of Jean-Michel Cazes. With its sweet fruit, opulent but balanced wood and red and black fruit flavors, it is a wine that will develop relatively quickly but will certainly age.Wine Enthusiast | 95 WE71% cabernet sauvignon, 16% merlot, 11% cabernet franc and 2% petit verdot; 5.5 g/l total acidity; 13.3% alcohol): Deep ruby-red. Knockout aromas of blackcurrant, blackberry, mocha and cedar complicated by scorched earth and tobacco. Big, ripe and dense, with flavors similar to the aromas and a seamless, rich texture. Though powerful and rich, with a sensual mouthfeel, it maintains a graceful, light-on-its-feet quality. Finishes with ripe, fine-grained tannins and excellent length. Still an infant, but clearly a great vintage for this property.Vinous Media | 94+ VMNo written review provided. | 92 W&S

The purity of fruit is really something else here, with currants and fresh flowers, such as violets and roses. Flower stems as well. Fantastic length and structure to the wine, with tightness and focus. Wonderful fruit. Graceful. A blend of 78% cabernet sauvignon, 8% merlot, 7% petit verdot, 6% cabernet franc and 1% malbec. Try after 2028.James Suckling | 99 JSIntensely perfumed on the nose, rose petals, violets, deeply scented and seductive. Rich yet expansive on the palate, very open with dark chocolate, cherries, fragrant blackcurrant - sweet and scented, with satin-like tannins that effortlessly support the flavours. There is real drive and persistency to this, fresh, youthful and alive with a vibrant juiciness that is so appealing. No one element is too dominant, this feels harmonious and balanced with an excellent tangy acidity and long minty, herbal finish with edges of tobacco and dark chocolate. A classic Opus with breadth, finesse and energy. Grapes were harvested 10 days earlier than average, on 10th September with harvest lasting four weeks. 6% Cabernet Franc and 2% Malbec complete the blend. Ageing 19 months in new French oak. Drinking Window: 2024 - 2045Decanter | 98 DECThe 2019 Opus One is a dense, beautifully layered wine, but it is also quite restrained. That should serve it well in time. Tasted next to the 2018, the 2019 possesses a bit more textural nuance and body, yet it has all the classicism that is such an Opus One signature. Bright floral accents linger on the sublime finish.Antonio Galloni | 97 AGWinemaker Michael Silacci commented that usually the blends are finished in January or February after the vintage. This year, with the 2019s, he was still tweaking the blend, but he did mention that this is "pretty close to the final blend."Deep garnet-purple in color, the 2019 Opus One leaps from the glass with notes of Black Forest cake, Morello cherries, mulberries and fresh blackcurrants plus hints of licorice, wilted roses, Sichuan pepper and iron ore. Full-bodied, the palate is jam-packed with juicy black, blue and red fruits, framed by velvety tannins and background freshness, finishing on a compelling earthy/mineral note. Tasted as a barrel sample, this is a truly magnificent Opus One in the making!Robert Parker Wine Advocate | 97-99 RPSimilarly ruby/purple-hued, the 2019 Opus One is cut from the same cloth as the 2018 yet has a touch more baby fat and opulence, at least as this stage. Beautiful black raspberry, cassis, toasted spice, lead pencil, and subtle oak all make an appearance, and it's medium to full-bodied, with a rounded, layered mouthfeel, impressive tannins, and a great finish. I don't think it has the same precision as the 2018, but it brings another level of hedonism. It's another beautiful wine from this team. The blend is 78% Cabernet Sauvignon, 8% Merlot, and the rest Petit Verdot.Jeb Dunnuck | 96-98 JDElegantly styled, despite some serious heft, this offers a mix of alluring mulberry, griotte and cassis notes bearing a gently mulled edge, while flashes of apple wood, sweet bay leaf and red tea flicker along the edges. Very refined in feel, with seamless structure extending the finish so the fruit can linger. Cabernet Sauvignon, Petit Verdot, Merlot, Cabernet Franc and Malbec. Drink now through 2038. 27,800 cases made.Wine Spectator | 95 WS